I have never
been to the SoundWaves lecture series. As someone with an acute interest in
sound and music, I have intended to experience this monthly lecture series on
the science and movement of sound since I first became aware of it during my
visit to the recent Wisconsin Science Festival. As a result, I kept my eyes
peeled for a SoundWaves event that appealed to my interests and blended with my
“I have never...” schedule. In that effort I came across an announcement about
a SoundWaves event addressing the overlap of sound and color in the human
senses, which piqued my curiosity and sent me rearranging my calendar to make
room for the event. After some tricky reorganization, I set aside time tonight
to attend my first SoundWaves event with my friend, Ross, in the hopes we would
walk away with a handful of knowledge and a new perspective on the relationship
between sound and color.
This should be good |
When Ross
and I arrived at the Wisconsin Institutes for Discovery presentation hall where
the SoundWaves event was being held we grabbed a few drinks and found a seat
near the center of the room. We chatted briefly about the concepts we hoped
would be discussed and floated some philosophical questions about the
interpretation of color as we waited for the event to begin. Fortunately, the
conversation served as a relevant transition point as the event began.
Following an
introduction from University of Wisconsin Professor of Music Daniel Grabois, a
University of Wisconsin Professor of Physics, Pupa Gilbert, took the stage a
dove headlong into the concepts of color perception through the human eye.
Although her presentation covered some basic aspects of human vision, the bulk
of her presentation focused on the transmitted wavelengths of light and how the
human brain reads and interprets the barrage of color information it receives
in a given scenario. By the time she concluded her portion of the SoundWaves
event, I was floored by the breadth of information and the new knowledge I had
gained from her brief presentation. Needless to say, the night was off to a
good start.
The introduction... |
Professor Gilbert's presentation |
With
Professor Gilbert’s presentation finished, another Professor, Rodney Schreiner
from the Department of Chemistry, immediately built on the concepts of
perceived color and its influences on the materials we encounter in our lives.
Through a hands-on presentation involving the mixture of a variety of common
household products, he demonstrated the language of color as it relates to
communicating the chemical properties of a given substance. Primarily, he shown
how the application of a variety of household cleaning and cooking products to
liquid derived from red cabbage drastically change the purple color of the
substance. In doing so, he taught the group about the basic principles of color
and acidity, which can prove helpful in “listening to” a substance by sight
alone. The presentation proved equally interesting as the earlier talk of
perceived color, and it provided an avenue to move into the next presentation
from Neuroscience Professor, Tom Yin.
Fun with chemicals! |
In what I
thought was the most interesting portion of the SoundWaves event, Tom Yin’s
presentation focused on the human eye’s response to light and the process of
light information transmission to the brain. Over the period of roughly 15
minutes, Professor Yin broke down highly complex interactions between
specialized cells, the nervous system, and the brain into a simple, easy to
comprehend series of information. Eventually, this information led into his
discussion of variability in sight from one person to the next, which included
the causes of night blindness and color blindness in humans. Additionally,
Professor Yin took time to recognize advances that have permitted scientists to
identify common forms of variations in cone cell concentrations from one person
to the next. Continuing, Professor Yin indicated one study has shown that
red/green receptors in the eye care vary from 10:1 to 1:1 among people who do
not suffer from forms of color blindness, which indicates each person likely
sees the same tones of color slightly different than other humans.
Brain stuff! |
That tidbit
of information was astounding to me given the impact it can have on the way
each of us sees and interprets the world around us. To know that the blue,
green, or red I see may be different than the colors seen by other people was
so strange it left my mind reeling on the subject. I knew that meant I likely
saw colors differently than others, but I knew I would never be able to
identify or communicate those variations with other people given the near
impossible task of describing the appearance of a color to another person.
Although
Professor Yin suggested these differences are likely subtle from one person to
the next, the idea of these variations caused me to return to some of the
philosophical topics Ross and I had discussed earlier in the night. As
Professor Yin completed his presentation, I turned to Ross and said, “So, if the
cells in my eyes interpret color slightly different than the cells in your
eyes, who’s to say the brain isn’t interpreting the transmitted signal as
completely different from one person to the next?” Ross nodded his head in
response recall to our earlier discussion and offered a simple reply, “I don’t
know, man, but this is awesome.”
The color of sound |
In obvious
agreement with his remark, I turned back to the stage at the front of the room
as the next presenter, Nancy Madlenoff from the Department of Art, took the
stage to explain the use of color as a form of communication in art. Her
presentation was relatively brief and focused on a few pieces of art from her
own portfolio that demonstrated the variations in color caused by proximity,
which gave way to the final presentation of the night, a discussion of the
metaphor used to describe sound presented by Daniel Grabois. Also brief in his
delivery, Professor Grabois talked about the nearly ubiquitous use of
adjectives from other sensory experiences to describe sound. Focusing on words
like high, low, bright, metallic, and dry, Professor Grabois successfully
pointed out our reliance on other senses, including sight, to describe the
sounds we hear in our everyday life. The point was well-received by the
audience, which provided a perfect segue into the final portion of the evening,
a live music performance from pianist Todd Welbourne.
With the
SoundWaves event concluded, Ross and I chatted about the concepts discussed,
and the information we took away from the experience. After a few minutes of
discussion, Ross encouraged me to ask the presenters some of our earlier
philosophical questions as they gathered to greet attendees near the front of
the room. Although I was a bit hesitant, I agreed it would be a good use of
time, which gave us the motivation to take to the front of the room. There, I
promptly introduced myself to Professor Yin and introduced my forthcoming
question with a brief recap of some of the concepts he discussed in his earlier
presentation. As Professor Yin listened on, I drew into my underlying curiosity
and posed a question about the interpretation of color to him. “When you see
the color blue and I see the color blue, we know it is the color blue because
we have been taught it is the color blue. That stated, how do we know the brain
is processing the signal sent from the eyes the same? In other words, how do I
know that I don’t actually see what we call blue as a shade of yellow and you
don’t actually see what we call blue as a shade of green? Of course, we both
know it as blue because we have been taught to call it blue, but how do we know
our brain processes the information the same?”
In response,
Professor Yin curled the corners of his mouth into a slight smile and nodded
his head. “Ah, an interesting philosophical question,” he said, “While I will
say we can be fairly confident we are generally seeing the same colors, the
easy answer is ‘we don’t know.’” Continuing, Professor Yin qualified his answer
with some remarks about the existing science behind sight and the
interpretation of color, but he ultimately concluded that the science required
to understand the brain’s interpretation of visual signals isn’t fully
developed. Continuing, Dr. Yin brought his explanation to a conclusion, “As a
result, we cannot yet understand exactly how a brain processes color unless
variation in cell structure produces the absence of color as in color
blindness.”
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