I have never
been to the opera. Admittedly, I have seen samples of live opera performances
in the past at events like Madison’s Opera in the Park, but I at no time in my
life have I attended a full opera performance in the theatre. As a result, my
experience with opera was limited to the fleeting movements I caught at live
events or the medley performances I periodically ran into while flipping
through television channels. Realizing two of the biggest elements of any opera
performance are the environment in which the opera is performed and the
storytelling that comes with a full length opera, I resolved to attend a full
length opera during my “I have never...” year. Consequently, I began rifling
through potential opera performances Rachael and I could attend in the year and
narrowed down a list of dates that had the best potential to work in my busy
schedule. Eventually, this resulted in me pinpointing tonight’s performance of
one of the most critically acclaimed operas ever written, Tosca, at the nearby
Overture Center for the Arts.
Tosca! |
Following my
workday, I met Rachael at our house to prepare for the night’s event. After
throwing on some semi-formal attire, the town of us ate a quick meal before
heading down the theatre to catch the performance. I was struck with an air of
familiarity as we entered the spacious Overture Center theatre, which had served
as the location of several recent experiences during my “I have never...”
journey. In turn, Rachael and I were quick to find our seats in the balcony and
settled in for the show. Our timing proved perfect as we were afforded just
enough time to get comfortable before the swell of the symphony warming up rose
from the pit at the foot of the stage. Moments later, the maestro made his
entrance and directed the symphony to action as the performance moved into the
first act of Tosca.
A lovers' quarrel |
I was
immediately taken aback as the curtain rose, revealing a beautiful set in an
Italian cathedral courtyard of centuries past. At first vacant, the music
played on before the scenery until a disheveled man took the stage in a
panicked, cautious condition. After dodging the eyes of passing clergymen, he
fumbled around the courtyard in search of a hidden key. Once located, the man
gripped the key tight before running off of the opposite side of the stage from
which he entered, leaving the audience unaware of his identity, his purpose,
and his intentions. Those first moments of the performance were enough to grab
my attention, which remained in Tosca’s grip until the final curtain fell.
Following
the initial scene, a series of characters took the stage accompanied by
beautiful, prolonged musical movements that helped frame the forthcoming story
about rebellion, devotion, love, and impossible circumstances. While I won’t
delve into the details about the entire story told in Tosca, I will say the
tale is a dramatic piece for the ages. Although the underlying plot was nothing
unique in terms of drama, I found myself surprised at how the story developed
through a series of turns and decisions by the parties involved.
The seeds of deception |
Early on, the
story of a painter, Mario Cavaradossi, his jealous lover, Floria Tosca, and
their involvement in the harboring of a political set the stage for the
conflict that would cause the lives of many involved to unravel. Inevitably,
Cavaradossi and Tosca’s decisions resulted in them getting entangled in the
grip of the evil and desirous Chief of Police, Scarpia, who saw in
Cavaradossi’s assumed guilt of harboring a prisoner a chance to fulfill his
lust for Tosca. What resulted were intense scenes of soaring music as
Cavaradossi was tortured, Tosca was propositioned, and Scarpia reveled in
dictated subordination. Stated simply, the opera was powerful and emotional,
and the Madison Opera’s presentation of the work made it easy to feel enveloped
in the developing story.
Interrogation |
The ultimatum |
Eventually,
the story of Tosca moved to its final acts of Scarpia’s deception, Tosca’s
desperate act of murder, and Cavaradossi’s execution. Without giving away too
much of the plot, I will say only that the end of Tosca left me stunned at the swell of hope surrounding Cavaradossi
and Tosca that was crushed by Scarpia even after his death. In a final tragic
scene, I struggled to come to terms with the dramatic ending of Cavaradossi and
Tosca’s bond, left sealed by a sort of twisted fate in the fleeting final
moments of their tale. Although baffling, the conclusion of Tosca couldn’t have been any better
suited for the arching, dramatic operatic work. As the final curtain fell, it
became obvious to me why many consider Tosca
to be one of the greatest operas ever written. While I realize that is a
leap for a person who has only attended one opera in his life, the writing,
music, and story behind Tosca make it
a highly unique work that draws the audience in. Needless to say, the
experience was impacting and gave me motivation to look into future Madison
Opera performances.
Execution... |
...and choosing death in the hands of circumstance |
After my
first experience with the opera, I can say the experience was more than I
expected. Although I knew I would enjoy the music and the live performance, the
idea of seeing a historical musical in another language made me wonder if I
would be able to tally tonight’s “I have never...” event in the “good
experiences” column. In hindsight, I can now say without question the
experience was one worth having. In fact, after tonight’s experience I am of
the opinion everyone should take the opportunity to experience the opera, and
the earlier a person can experience such an event, the better. Like other “I
have never...” experiences with art to date, tonight’s trip to the opera made
me realize there is so much beauty and joy to take from the innumerable forms
of art that are all around us, and that setting aside preconceived notions for
the sake of experiencing them firsthand is always a good choice. There’s a lot
to be said for what can be gained by simply surrounding oneself with “good
stuff.” I’m just glad I’m taking the time to do just that.
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